Cristina Ariagno finds in the CIRCLE the main support and depth of her works, figure that expresses a sense of perfection without limits, an espace that is finely geometrical and analitically detached, on which she works using her fingers instead of brush, with an immediateness that goes from the atmospherical impression to the most definite sign of the expressionist tradition of Pollock's action painting and his followers.

Walter Falciatore